翻訳と辞書
Words near each other
・ The Revolving Doors
・ The Revolving Paint Dream
・ The Revs
・ The Revölution by Night
・ The Reward
・ The Reward of Patience
・ The Reward's Yours... The Man's Mine
・ The Rewind EP
・ The Rewrite
・ The Rex, Berkhamsted
・ The Reykjavík Grapevine
・ The Reynolds Girls
・ The Rez
・ The Rez Sisters
・ The Rezillos
The Rhapsodic Fallacy
・ The Rhesus Chart
・ The Rhetoric of Drugs
・ The Rhetoric of Hitler's "Battle"
・ The Rhetoric of Irony
・ The Rhetoric of Reaction
・ The Rhetorical Presidency
・ The Rheumatoid Arthritis Quality of Life Questionnaire
・ The Rhinemann Exchange
・ The Rhinitis Revelation
・ The Rhino Brothers Present the World's Worst Records
・ The Rhoad's Meetinghouse
・ The Rhode Island System
・ The Rhodes Colossus
・ The Rhodes Not Taken


Dictionary Lists
翻訳と辞書 辞書検索 [ 開発暫定版 ]
スポンサード リンク

The Rhapsodic Fallacy : ウィキペディア英語版
The Rhapsodic Fallacy
'The Rhapsodic Fallacy' is an essay by United States poet Mary Kinzie in which she defines and attacks a "rhapsodic" conception of poetry. It was first published in ''Salmagundi'' 65 of Fall 1984〔''Salmagundi'' of Fall 1984, pages 63–79〕 and was collected in ''The Cure of Poetry in an Age of Prose: Moral Essays on the Poet's Calling,'' and a somewhat shorter version of the essay was later anthologized in ''Twentieth-Century American Poetics''〔edited by Dana Gioia, David Mason, and Meg Schoerke〕 The essay was one of several of the mid-1980s that sparked a heated discussion over the role of form in American poetry, and was thus implicated in the formation of the New Formalism movement.
==The rhapsodic conception of poetry==
Kinzie begins the essay by identifying two contradictory strands in the critical writing and poetry of Edgar Allan Poe which she perceives as "begetting" the "rhapsodic" conception of poetry. These strands are:
#"intensity can only be achieved in spontaneous, fragmented utterance", and
#"the mental epic is viable"
She moves on to lament the loss of many forms or genres of poetry that were widely used in earlier times, including satire, the epistle, georgic, pastoral, allegory, philosophical poem, epic, verse drama, and tragedy, and quotes an essay by Australian poet A. D. Hope: "One after another the great forms disappear".〔A. D. Hope, "The Discursive Mode: Reflections on the Ecology of Poetry"〕
Kinzie sees free verse as the "great equalizer" and ushering in an age of reduced scope and ambition. "When poems not only set themselves at a uniform pitch, but also contract themselves to recurrent, predictable five- or ten-line climaxes, pretty soon the surprises do not surprise us any more. The new prosaic-lyrical effusion is organized to get us into and out of the poem with extraordinary rapidity and no lasting effects."
Kinzie proceeds to identify three main contemporary "substyles" of the prosaic-rhapsodic:
#the Objective Style
#the Mixed Ironic Style
#the Innocuous Surreal Style

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
ウィキペディアで「The Rhapsodic Fallacy」の詳細全文を読む



スポンサード リンク
翻訳と辞書 : 翻訳のためのインターネットリソース

Copyright(C) kotoba.ne.jp 1997-2016. All Rights Reserved.